29 March 2024
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
Browse specific styles
Latest release from the New York City-based experimental ambient composer is a musical eulogy for David Bowie
8.0
Basinski pulls you deep inside a world of shapeless memories accented by both beauty and decay Read Review
There is so much in the stillness of William Basinski's music, layer upon layer of musical information that finds a richness of harmony and melody in the very immobility it often describes Read Review
‘For David Robert Jones’ is one of the most mesmerisingly beautiful and haunting pieces of music you’re likely to hear all year, while also being a fitting tribute to one of the greatest artists of all time Read Review
William Basinski has created yet another outstanding work of art with A Shadow in Time, an audio sculpture of serenity and bliss to begin 2017 and put what was a saddening year for music to bed Read Review
Your enjoyment may depend on whether you feel the Bowie angle adds or detracts Read Review
Sculpts samples, drones and feedback loops into soundscapes rich in melancholic atmosphere Read Review
Among his most entrancing work Read Review
Channeling his classic Disintegration Loops, William Basinski's A Shadow in Time contemplates life and death with great clarity Read Review
The two-track A Shadow in Time shows that William Basinski’s technique can yield a wide range of results Read Review
Basinski tries not merely to locate Bowie’s ghost in the machine, but to find its cross-dressing, orange-haired, anisocoric-eyed soul locked somewhere inside the hard electronic casing of the world Read Review
It’s less technically impressive than usual, and less emotional, but still a lovely journey Read Review
Contains some of his strongest work since The Disintegration Loops introduced him to the world at large Read Review
A Shadow in Time makes a beautiful funeral procession for David Bowie Read Review
You wonder if you've been taken somewhere, or if you've been changed in some way Read Review
Roll over video for more options
William Basinski: A Shadow In Time
Sum 41 Heaven :X: Hell
Despite its imposing 20-count tracklist, ‘Heaven :x: Hell’ never drags, instead firing through hit after hit; time flies when you’re having fun, and Sum 41’s discography is a testament to that. It’s a grand culmination of their work so far Dork
It's a high energy, fun and skillful way to say goodbye The Arts Desk
The Canadian icons leave nothing in the tank on their final LP, a career-spanning double album that carries the occasional hint of their glory days NME
There will be doubters and there will be haters, but Heaven :x: Hell is Sum 41 at their zenith and is, without any shadow of a doubt, the album of their career. What a way to leave Kerrang!
With Heaven :x: Hell, what Sum 41 has given us is a true grand finale, and it's one worth reveling in Sputnik Music (staff)
Chastity Belt Live Laugh Love
See review link XS Noize
Ride Interplay
Essentially, after spending decades dabbling in different notions of psychedelic rock, Ride have gone synth-pop in 2024 Spectrum Culture
They seem determined to do whatever the hell they like and have fun with it The Arts Desk
Overall: troubled, unflinching, but tuneful and triumphant. Print edition only Mojo
Here [on "Yesterday Is Only A Song"] and on the best tunes of Interplay, Ride feel wonderfully, unexpectedly, younger than yesterday. Print edition only Uncut
It's commendable that Ride continue to reach beyond their past, but the best moments of Interplay are the ones that remind the listener what made the band so unique to begin with All Music
Closing with the sighing reflection of ‘Yesterday Is Just A Song’, Ride seem to be embrace and move past their illustrious past, resulting in one of the most finessed, intriguing albums of their career to date Clash
When they delve into the big guitar histrionics of yesteryear, as on “Light in a Quiet Room,” the results are breathtaking Under The Radar
Sheryl Crow Evolution
It is somewhat predictably a soundtrack of life-affirming but slightly knocked-about beige wisdom wearing a pair of cowgal boots The Arts Desk
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Self Esteem Prioritise Pleasure
Bob Dylan Rough and Rowdy Ways
Nick Cave And The Bad Seeds Skeleton Tree
Frank Ocean Channel Orange
Dave We’re All Alone In This Together