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9.0
99706
9.0 |
God Is In The TV
Nine tracks, none of the usual instrumental interludes, no filler. It’s all bloody marvellous
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8.0
99483
8.0 |
Exclaim
Another strong effort by a band that continue to celebrate the power of dance music
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7.0
99484
7.0 |
Slant Magazine
Despite Haiku from Zero’s sunny musicality, there’s often a grim, apocalyptic subtext
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7.0
99506
7.0 |
All Music
Full of hooky songs and breathlessly danceable songs. The only thing it is missing is inspiration or invention, which also means it is their least successful record yet as well
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7.0
99481
7.0 |
The Line Of Best Fit
The world might have changed a lot since 2003, but Cut Copy haven’t. Thank goodness
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7.0
99482
7.0 |
The Music
Cut Copy always tend toward spinning blissed-out summer of love euphoric vibes
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7.0
99772
7.0 |
Spectrum Culture
Rarely misses a beat with gorgeous melodies
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6.3
99480
6.3 |
Pitchfork
The Australian band’s reverence for reference is part of their allure and their fifth album sticks to the tried-and-true pop formulas of the past
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6.0
99550
6.0 |
DIY
There’s an effervescent sparkle that runs through it
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6.0
100429
6.0 |
PopMatters
A statement of potential, but it may just take one more album for the band to reach the sorts of heights they’re aiming for
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6.0
99712
6.0 |
The 405
Offers up plenty of mesmerising moments, but they come with a damaging amount of baggage and ultimately the record falls a little short of the tropical dream that it envisages
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5.0
99532
5.0 |
Under The Radar
Haiku From Zero is fine filler for a late-night dance party, but we can't fathom reaching for this album as often as those prior-too much of it borders on forgettable
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