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26 May 2026

Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.

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Aldous HardingTrain On The Island

"A spellbinding listen, the high water mark of Harding's singular career" (9/10 - Exclaim. "It’s an oblique character study of herself, and the best album of her career so far" (9/10 - Pitchfork)

KneecapFENIAN

"After their Glastonbury fracas and legal troubles, political friction provides the backbone to this dense, musically adventurous third album" (9/10 - musicOMH).

FrikoSomething Worth Waiting For

"A record that leaves the kind of impression more associated with acts with far lengthier histories" (9/10 - DIY). "A euphoric, breakneck adventure towards a promised land" (8/10 - The Skinny)

Lime GardenMaybe Not Tonight

"A breakup album that wears its messiness on its sleeve, Lime Garden’s second is figuring life out, track by track" (9/10 - NME). "A new indie disco essential" (9/10 - DIY)

Angine de PoitrineVol.II

"There's a ferocity and alienness to the complexity" (10/10 - Exclaim). "It breathes on its own and speaks without words. Angine de Poitrine let the music do the talking" (8.4/10 - Northern Transmissions)

The Twilight SadIt's The Long Goodbye

"An astonishing body of work that firmly emphasizes what an important band The Twilight Sad are" (9/10 - Under The Radar). "A powerful and truly wonderful return from The Twilight Sad" (9/10 - Clash)

Kraftwerk

The Mix: Remastered

Reissue of the 1991 album by the German electronic pioneers

Label: Mute
UK Release date: 13/10/2009

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8.0 4499
8.0 | Uncut

a surprisingly addictive re-imagining of 11 classic tracks in a dancefloor context
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6.0 4500
6.0 | Q

Print edition only
6.0 4501
6.0 | Mojo

Print edition only
5.0 4498
5.0 | Drowned In Sound

The Mix’s version of ‘Autobahn’, one of Kraftwerk’s most iconic tracks, serves to illustrate both the worst and best of what this album represents. For much of its length the new version is irremediably pointless
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