End Of Suffering

Frank Carter & The Rattlesnakes

End Of Suffering

Third studio album from the English alt punk band led by the ex-Gallows/Pure Love front man

ADM rating[?]

6.4

Label
International Death Cult
UK Release date
03/05/2019
US Release date
03/05/2019
  1. 8.0 |   XS Noize

    At its core, “End of Suffering” is a lyrical manifestation of the band’s growth; not because Frank Carter and the Rattlesnakes achieved nirvana, but instead it is an invitation take their hand and head towards enlightenment together
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  2. 8.0 |   Evening Standard

    Carter’s hit new heights as a songwriter
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  3. 8.0 |   Q

    Bleak but brilliant punk confessionals. Print edition only

  4. 8.0 |   musicOMH

    It’s frankly mind-boggling how these guys don’t occupy the space at the top of the ‘modern rock’ pyramid that bands like Royal Blood are doing their best to sanitise
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  5. 7.0 |   Exclaim

    The vocalist was a perfect match for hardcore punk at a younger age, but as he's matured and built a band with the same mentality, his presence in rock has fully bloomed
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  6. 7.0 |   Clash

    Carter has become, to all intents and purposes (and against all expectations), a 21st Century Billy Idol, combining punk sneer with classic rock flamboyance – transformed into something iconic
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  7. 6.0 |   The Independent

    His third release with The Rattlesnakes, written alongside guitarist Dean Richardson, could not be a more raw outpouring of personal turmoil
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  8. 6.0 |   The Skinny

    Lingering on the boundary of light and dark, heaven and hell, if End of Suffering were a bit more concise, it would feel much less tiresome
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  9. 6.0 |   Northern Transmissions

    ‘End of Suffering’ feels like it’s trying too hard to tick vital boxes for radio airplay with the view of scaling up venue sizes and festival bills; Frank Carter and The Rattlesnakes: defanged
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  10. 5.0 |   Sputnik Music (staff)

    A rattlesnake without its rattle
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  11. 5.0 |   The Music

    You wish their songwriting abilities rose to meet their ambition
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  12. 4.0 |   The Irish Times

    There are moments of vulnerability clumsily shoehorned betwixt the bombast and swagger expected of any rock album, but overall it feels like more like a squandered opportunity
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