18 May 2012
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 publications. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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Tracks the critics are loving: hear them now
" Simply put, it’s one of the singles of the year" music OMH
Listen on SpotifyListen on grooveshark
" When they hit full, throat-ripping, riff-driven throttle, such as on Gebbie Street, they sound superbly riotous" The Fly
" Metamorphoses commence in unison on the mighty creepiness of the album’s near-seven-minute centerpiece, Simmer. And does it ever" Pop Matters
" The finest jangle pop this side of the Rockies" The Digital Fix
" Highlights include DJ Ease My Mind which is sure to become a club anthem" The Line Of Best Fit
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Experimental folk/pop from the London trio on their second album
8.0
What makes Twice Born Men truly special is the way the indefinable floatiness of the verses is merely the springboard for a succession of delicious pop choruses. Read Review
Remember how Wilco’s “experimental” album Yankee Hotel Foxtrot turned out to be simply a series of brilliant pop songs? Same thing here. Read Review
A beautiful, beautiful album, which will appeal to fans of alt country and a very English strand of art-pop. It should also be appreciated by lovers of great music everywhere. Read Review
The trio's brooding folk-pop, intertwined with Tim Elsenburg's Guy Garveyish vocals (perhaps too Garveyish for victory, so hold on to your betting money) pitches and rolls like a ship on the waves. A dark rum pleasure Read Review
Print edition only
It’ll take a few listens to kick in, but when it does, you’ll be happy to file Twice Born Men alongside your Tuung or Vetiver records Read Review
Meanders down a path well-trodden by acclaimed American singer-songwriters such as Bon Iver and Sufjan Stevens, albeit one decorated with the popping vinyl and grandiose sound-effects of post-rock Read Review
Sweet Billy Pilgrim: Twice Born Men
Squarepusher Ufabulum
In the form of his life. Print edition only Uncut
The Magnetic North Orkney: Symphony of the Magnetic North
Majestic yet frustratingly aloof. Print edition only Uncut
The windswept islands captured in music. Print edition only Mojo
No, Squarepusher doesn’t seem to give a damn, but he does want to smoosh eardrums with whacky stuff. More power to him The Arts Desk
Some of the tracks are over-arranged which gives the album, overall, a bit of an identity crisis Bowlegs
An evocative, indelible, and utterly majestic ode to Orkney AU Magazine
Ultimately Ufabulum’s jarring stylistic schism may make the album tough to digest for many people, but the quality of Jenkinson’s craftsmanship remains constant throughout The Skinny
These are timeless songs which rather than being of any genre - not even the hard-to-define 'folk' - seem to spring from the bare open horizons, low-lying islands and sea of Orkney, creating a unique bleak and windswept aesthetic The Quietus
Funky as he wants to be — EPCOT-rocking splatterjazz, rainbow-tasting ravewave, Inspector Gadget ringtone funk Spin
Each track is rich with strings and woodwind, but all with an unavoidable folky edge. It’s a formula that works, and works to the extent that sets it aside in terms of originality music OMH
A truly beguiling record Drowned In Sound
A bit cold, clinical and repetitive NME
Hugely impressive, technically, but too cold and forbidding for many tastes BBC
Public Image Ltd This Is PiL
It may not be of the calibre of Metal Box, but it finds its maker firmly in 2012, not 1979, and with plenty still to grouse about Uncut
Saint Etienne Words And Music By Saint Etienne
These songs are their sharpest in over a decade. Print edition only NME
What's finding favour with bloggers & other review sites
The Mars Volta Noctourniquet
Bruce Springsteen Wrecking Ball
Andrew Bird Break It Yourself
Following up the highly-acclaimed Teen Dream album was never going to be an easy feat but Beach House appear to have succeeded with Bloom. It has 10s from two sources and a 9.1 from Pitchfork, while FasterLouder see it as a "transportive journey"
Since we've been around, that is. So, the highest-rated albums from the past three and a half years or so
Anaïs Mitchell Hadestown
Kanye West My Beautiful Dark Twisted Fantasy
PJ Harvey Let England Shake
Ry Cooder Pull Up Some Dust And Sit Down
Arcade Fire The Suburbs
Tom Waits Bad As Me
Janelle Monáe The ArchAndroid
Joanna Newsom Have One On Me
Gillian Welch The Harrow & The Harvest
Burial Kindred