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9.0
134775
9.0 |
Uncut
Throughout all nine songs, Glenn-Copeland's voice seems to exist on the eternal plane, powerful and vulnerable in equal measure, an elder sharing his knowledge in stirring sonic form. Print edition only
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9.0
134780
9.0 |
Northern Transmissions
A consummate composer and performer, it is one of the best albums I’ve heard in years
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8.0
134781
8.0 |
Spectrum Culture
He’s created a balm to ease the pain of the future, while frequently standing in defiance of that pain affecting us in the present
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8.0
134815
8.0 |
Crack
With vocals as consistently stirring as his, there is no need for reissues and remastering – it’s clear that Glenn-Copeland has plenty more to say, and here’s hoping we will continue to hear whatever that may be
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8.0
134889
8.0 |
Record Collector
He’s a treasure in no need of rediscovery any more
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8.0
134776
8.0 |
Mojo
Warbling soul, classical lieder, No Other's stage-musical rapture, the title track's echo of Copeland's 1986 New-Age-synth album Keyboard Fantasies - all united by his seemingly unshakeable belief in humanity. Print edition only
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8.0
134777
8.0 |
The Skinny
Beverly Glenn-Copeland's latest effort draws from a diverse range of musical avenues, from American jazz and Irish fiddle songs all the way to traditional West African drumming
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8.0
134778
8.0 |
Pitchfork
The Canadian composer’s first new material since the 2016 rediscovery of his 1986 LP Keyboard Fantasies is a joyous, hope-filled showcase of his singular voice and healing vision
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6.0
134779
6.0 |
All Music
It's impossible to find fault with his optimism, and the songs' messages clearly resonate
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