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Middle of the Trail

2101¬Rootsy folkster Ray Lamontagne continues his career as a Radio 2 botherer with his new album. Critics see it as competent but hardly revolutionary, scores coming it at around 6 or 7.¬False¬

Towering achievement?

2098¬There's a very rare 10/10 from The Skinny for the rapper, pianist and producer's album, released to accompany a feature film also written and produced by the maverick Canadian. Such enthusiasm is not shared by the BBC or music OMH, who regard it as interesting but only partially successful.¬True¬

Well-liked

2103¬Mostly pretty favourable reviews so far for the LA all-girl quartet's 2nd album. In the 5 years since their debut, they've moved from alt.rock to garage pop - with the help of one Mark Ronson on production duties.¬True¬
I'm New Here

Gil Scott-Heron

I'm New Here

First album in 13 years from Chicago-born singer-songwriter and poet, produced by label owner Richard Russell

Critics average rating

7.8

Label
XL
Release date
08/02/2010
  1. 10.0 |  State

    ...it’s taut, an emotional sucker punch, and inspired wailing blues like ‘New York Is Killing Me’ is proof that Gil Scott-Heron’s furnace is still stoked
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  2. 9.0 |  Drowned In Sound

    Whether these 15 tracks have helped him lay some demons to rest is impossible to say, what’s beyond all doubt however, is that I’m New Here is a seriously good record
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  3. 9.0 |  NME

    The title track is similar in delivery and intensity to Johnny Cash’s ‘The Man Comes Around’, but this is no deathbed testimonial
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  4. 9.0 |  No Ripcord

    With I’m New Here, Scott-Heron isn’t there to judge anyone. On the contrary, in a way, he’s seeking absolution for his mistakes, but not for his past or his present
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  5. 8.5 |  Pitchfork

    If Gil Scott-Heron's creative resurgence continues after this reintroduction to his poignantly aging voice, we could be looking at one of the most memorably resurrected careers of our time - a man renewed
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  6. 8.5 |  The Quietus

    This is a artist who deals in the 'real'. On that point, you can be truly assured. Unworldly and beautiful, even when he sings about pulling on his socks
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  7. 8.0 |  Observer Music Monthly

    I'm New Here might turn out to be a footnote rather than an American Recordings-style new chapter, but this is as striking a return as we're likely to hear all year
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  8. 8.0 |  Mojo

    Print edition only

  9. 8.0 |  Q

    Print edition only

  10. 8.0 |  Uncut

    As a radical overhaul of a career, it's a brave, brilliant and highly personal statement
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  11. 8.0 |  The Guardian

    Harrowing poetry is mixed with choice covers, from Smog's road-to-redemption title track to a particularly haunted take on Robert Johnson's Me and the Devil. It's blistering stuff
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  12. 8.0 |  The Irish Times

    I’m New Here may be sketchy (28 minutes in length) and relies more on covers than new Scott-Heronpenned material, but it’s still a stentorian and bracing blast of reality
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  13. 8.0 |  music OMH

    Some may find I'm New Here a strange and alienating listen, but those with patience will be well rewarded; most of this album is stunning and so different from the norm that you can't help but be drawn in
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  14. 8.0 |  The Independent

    As with the man, so with this album: it might fall short in some regards, but such is the heart and the mind involved that what little is left should be treasured accordingly.
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  15. 8.0 |  Evening Standard

    The record is a triumph for a returning heavyweight, bloody but unbowed
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  16. 8.0 |  The Times

    Me and the Devil could be an alternative theme to The Wire, with Damon Albarn on keyboards and beats like clanking jail bars
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  17. 8.0 |  Scotland on Sunday

    The electro voodoo of his reading of Robert Johnson's Me And The Devil makes the hairs stand up on the back of the neck
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  18. 8.0 |  The Scotsman

    I'm New Here is a mix of spoken word and song, delivered in a voice as weathered and authoritative as Johnny Cash
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  19. 8.0 |  Tiny Mix Tapes

    I'm New Here is undoubtedly a bleak record, and given Scott-Heron's trials, it's hard to imagine it being anything else. But his take recognizes a hard-earned beauty, as well
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  20. 8.0 |  Daily Telegraph

    ...this is everything you might want from an older artist: lyrics of depth, wisdom and experience, a voice rich with musicality, all set in a sonic context that locates him in the present moment
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  21. 8.0 |  The Line Of Best Fit

    ...sounds altogether fresh – an album he couldn’t really have released at any other point in his career
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  22. 8.0 |  The Skinny

    Understated, wrought with genuine feeling and emotion, and put together with a respectful and intelligent amount of thought and planning, I'm New Here is hard to fault, and an early contender for album of the year
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  23. 8.0 |  The Sunday Times

    ...an extraordinarily powerful album
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  24. 8.0 |  Sydney Morning Herald

    ...elements of African, electronica, jazz and very old-school styles...fleshing out the backgrounds. The result is an album of understated power and direct heart
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  25. 8.0 |  FasterLouder

    Just under a half an hour it is a brief, but a gripping, slice of where Gil is now
    Read Review

  26. 7.0 |  Spin

    I'm New Here isn't so much a comeback as a testament to spiritual resilience
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  27. 7.0 |  Rave Magazine

    It feels like Scott-Heron experimentally dipping his toes in the water when he should be diving straight in, because it’s plain the man can still swim
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  28. 6.0 |  Rolling Stone

    It's a steely blues record at heart — the sound of a damaged man staring in the mirror without self-pity but not without hope
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  29. 5.5 |  onethirtybpm

    With a 28 minute running time, recycled beats, four covers and seven interludes, this album, which could have been the perfect start to the decade and a welcoming reminder of this man’s talent, seems forced and painfully rushed
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  30. 3.0 |  Pop Matters

    I’m New Here is a thin affair—musically weak and lyrically narrow. The songs are philosophical and personal rather than social or political, yet they don’t feel powerfully real
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Pain and pleasure

2105¬Can the third of the three Mancunian electro-ish bands which featured in the BBC's Sound of 2010 list emulate the success of their counterparts, Delphic and Everything Everything? The jury's still out so far. NME is a big fan of the duo's 80s-inspired synthpop anthems, but The Guardian is far from convinced, and others find the album stylish but unremarkable. ¬True¬

Dream team?

2070¬You would imagine that one revered master of popular music working with the material of another revered master of popular music would result in something quite special. However that doesn't appear to be the case, according to many critics. Some find the album partially successful, others are seriously underwhelmed, such as The Guardian, which describes it as "horrible". ¬True¬

Mixed reactions

2106¬Very mixed views around on the fourth album from New York's prime purveyors of post-punk gloom, now back at their old label, Matador. Most critics accept they've moved on from the danceable rhythms and singalong hooks that leavened their earlier work. The reaction to what remains is very varied: some, such as Uncut, regard it is refined and elegant; others such as Spin regard the new material as dull rather than hypnotic. ¬True¬

floor fillers

2096¬The latest torch-bearers of nu-disco would appear to be the Brooklyn/Vancouver collective led by Dandilion Wind Opaine and Szam Findlay. Fan Death's debut album is receiving some serious praise from critics who appreciate their particular melding of Italo house, synthpop, electro and early 80s gay disco.¬True¬