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FUNKED UP

2117¬Montreal's foremost exponenents of Prince-inspired dirty funk are back with their new album. Critics so far are impressed, Rave Magazine seeing the album as an affirmation of the band's unique style.¬False¬

Middle of the Trail

2101¬Rootsy folkster Ray Lamontagne continues his career as a Radio 2 botherer with his new album. Critics see it as competent but hardly revolutionary, scores coming it at around 6 or 7.¬False¬

Towering achievement?

2098¬There's a very rare 10/10 from The Skinny for the rapper, pianist and producer's album, released to accompany a feature film also written and produced by the maverick Canadian. Such enthusiasm is not shared by the BBC or music OMH, who regard it as interesting but only partially successful.¬True¬
Luck in the Valley

Jack Rose

Luck in the Valley

Posthumous release of acoustic American guitarist known for his primitive playing style

Critics average rating

7.7

Label
Thrill Jockey
Release date
15/02/2010
  1. 9.0 |  Pop Matters

    This is an album that should be admired for years to come not as a final document, but as a brilliant and unflinchingly joyful piece of music
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  2. 8.2 |  Pitchfork

    Luck in the Valley is so vibrant, engaging, and alive, it's hard to overestimate it
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  3. 8.0 |  Drowned In Sound

    Luck In The Valley is a brilliantly strong record that reminds you both of Rose’s own majestic ability, and the playful power of these seemingly ancient and ‘primitive’ musical forms, something Rose understood as well as anyone
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  4. 8.0 |  Mojo

    Print edition only

  5. 8.0 |  Blurt

    ...an extraordinarily gifted musician working over his craft, surrounded by well-loved fellow-travellers, and making the complex and difficult sound casually, unpremeditatedly wonderful
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  6. 8.0 |  Uncut

    Rose deploys enormous technical skill with an unfussy lightness of touch which, to non-players at the very least, seems little short of miraculous
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  7. 8.0 |  Tiny Mix Tapes

    Luck in the Valley expands on his previous palette and culminates the sounds that have been gracefully flowing from his fingers for the past decade as a solo artist
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  8. 7.8 |  onethirtybpm

    While the album as a whole may not be as revelatory as Kensington Blues, it’s a lovely, warm and lively recording that transcends the solo guitar tag and shows off not only Rose’s always brilliant playing but his skills as an interpreter
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  9. 6.0 |  The Independent

    A treat for those who hanker after the entrancing webs of guitar spun by the likes of John Fahey and Robbie Basho
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  10. 6.0 |  The Line Of Best Fit

    In truth Luck in the Valley isn’t a remarkable record – it’s lit up by the depth of his passion and his at times ridiculous dexterity and talent for composition
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Back On Top?

2114¬The Manic Street Preachers have had something of a critical rebirth with their last two albums, and that trend looks set to continue with their latest offering. The Line of Best Fit call it a "wonderful album", while The Fly reckon they "are in the form of their life". With only a few reviews in so far, it seems we could have a contender for the higher echelons of our chart.¬True¬

Pain and pleasure

2105¬Can the third of the three Mancunian electro-ish bands which featured in the BBC's Sound of 2010 list emulate the success of their counterparts, Delphic and Everything Everything? The jury's still out so far. NME is a big fan of the duo's 80s-inspired synthpop anthems, but The Guardian is far from convinced, and others find the album stylish but unremarkable. ¬True¬

Dream team?

2070¬You would imagine that one revered master of popular music working with the material of another revered master of popular music would result in something quite special. However that doesn't appear to be the case, according to many critics. Some find the album partially successful, others are seriously underwhelmed, such as The Guardian, which describes it as "horrible". ¬True¬

Mixed reactions

2106¬Very mixed views around on the fourth album from New York's prime purveyors of post-punk gloom, now back at their old label, Matador. Most critics accept they've moved on from the danceable rhythms and singalong hooks that leavened their earlier work. The reaction to what remains is very varied: some, such as Uncut, regard it is refined and elegant; others such as Spin regard the new material as dull rather than hypnotic. ¬True¬