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8.0
13953
8.0 |
Scotland on Sunday
Time is disorientating, and Money sounds like a completely different currency, the distinctive bass figure relocated to a mad professor's sound laboratory
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7.0
14002
7.0 |
The 405
While it will certainly never hold the impact of the original, as an escapade in psychedelic rock it really does have its own merits
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7.0
9702
7.0 |
Under The Radar
This is still most certainly the Dark Side that you know, but the typical Lipsian eccentricities and idiosyncrasies are present as well
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6.0
13853
6.0 |
BBC
There’s nothing here that offends, nothing that isn’t played with a deep affection for the material; but, equally, there’s nothing that takes said material and elevates it to a new plateau of appreciation
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5.2
9705
5.2 |
Pitchfork
The Flaming Lips and their co-conspirators can't settle on a color of the Floyd spectrum and run with it, leaving this Dark Side as a lunar capsule lost somewhere between a love letter and a joke
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5.0
9703
5.0 |
Rolling Stone
But nobody needed to hear Peaches yowling on "The Great Gig in the Sky," and Wayne Coyne and crew sound strangely constrained on this one
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2.8
9707
2.8 |
Beats Per Minute
The Flaming Lips’ new style just doesn’t fit with Pink Floyd’s dreamy prog-rock
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2.0
14076
2.0 |
The Irish Times
Coyne and co also displace the work of an utterly English concept album, transforming it from an elegant, succinct and often simplistic work into a series of shrill, self-conscious footnotes
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