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8.0
43842
8.0 |
The Fly
The size of the forwards step that ‘Mostly No’ represents is knighthood-worthy
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8.0
44035
8.0 |
The Quietus
If Mostly No lacks genuine innovation, the album more than compensates with a radiating glow of veneration
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8.0
44575
8.0 |
Q
Chirpy, nihilistic and great. Print edition only
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7.5
43983
7.5 |
The Line Of Best Fit
Milk Maid’s second album in a year sees songwriter Martin Cohen ploughing darker depths, but it’s never a downer when the music’s as sweet and self-assured as this
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7.5
43771
7.5 |
Prefix
Put Kurt Vile's doe-eyed earnestness inside a vintage getup of steam and surf and you'd get a little something like this
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7.0
43789
7.0 |
BBC
Songwriter Martin Cohen is in thrall to his influences, but this is a strong second LP
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6.8
43768
6.8 |
Pitchfork
A record that eschews any manic highs or crushing lows in favor of an affable sort of middle ground
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6.0
43769
6.0 |
The Skinny
Generally, the louder and faster Cohen and band play, the better they sound
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6.0
43772
6.0 |
The Arts Desk
This stripped-back approach is in fact the deliberate work of a very skilled songwriter
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6.0
43809
6.0 |
The Guardian
Part dreamy British indie and part frazzled US psych-rock, albeit perhaps never quite as dreamy or frazzled as it could have been
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6.0
43966
6.0 |
Bowlegs
Although Mostly No is a strong, highly enjoyable set of Anglo-American rocking, it may suffer from not being notably distinctive
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6.0
44591
6.0 |
Loud And Quiet
An occasionally intriguing cocktail of baggy and grunge
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6.0
43767
6.0 |
musicOMH
This sounds like merely the beginning of a revitalising evolution of Milk Maid, because even though Mostly No is good, it's not quite good enough
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5.0
43994
5.0 |
AU Review
Mostly No is often likeable but, unfortunately, it is never remarkable enough to really warrant the time
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5.0
43770
5.0 |
Consequence Of Sound
There are many excellent, surfy noise rock albums that eclipse Mostly No, but Cohen’s laid-back vocals and howling guitar are enough to merit at least a listen
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