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6.0
50570
6.0 |
The Arts Desk
Devlin holds his own in a marketplace swarming with stylistically similar rivals by delivering 42 minutes of forceful, convincing widescreen hip hop pop
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6.0
50571
6.0 |
The Guardian
Big, old-school breakbeats are overlaid with electro hooks, a combination used to best effect on the Raf Riley-produced Love Cards
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6.0
50576
6.0 |
Mojo
His parochial worldview is often at odds with his music's overarching grandstanding. Print edition only
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6.0
50586
6.0 |
Q
Impressive but highly strung. Print edition only
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6.0
50840
6.0 |
The Observer
There's plenty of widescreen, orchestral-surge production to match the look-how-far-we've-come sentiment
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5.0
50603
5.0 |
musicOMH
It’s as if he’s merely treading water, still mulling over what musical course might suit him best, a director without direction
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5.0
50580
5.0 |
Uncut
His obsession with proving his own street-level authenticity ultimately becomes unwittingly hilarious. Print edition only
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4.0
50566
4.0 |
Independent on Sunday
The wretched, Hendrix-mutilating "Watchtower" is already a contender for Worst Track of the Decade
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4.0
50569
4.0 |
BBC
Struggles to strike the right balance between street cred and pop appeal
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2.0
50563
2.0 |
NME
His flow isn’t bad and Katy B is a welcome presence on ‘Sun Goes Down’, but let’s be honest: Dagenham is hardly Compton
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