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7.5
52797
7.5 |
The 405
Not only have they figured out what works and what doesn't, but they have also finally found themselves
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7.1
52967
7.1 |
Paste Magazine
Dear Miss Lonelyhearts is not the breakthrough into critical acclaim
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7.0
52809
7.0 |
NME
They've gone back to the sort of idiosyncratic iwerdness that made us fall for them in the first place
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7.0
52913
7.0 |
All Music
Some of Cold War Kids' most promising and satisfying music since their debut
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6.0
52867
6.0 |
Uncut
CWK are a potentially great band simply trying too hard. Print edition only
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6.0
52888
6.0 |
musicOMH
Cold War Kids may divide opinion, but when they do get it right, their potential is clear for all to see
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6.0
52810
6.0 |
Q
There's a sense of renewed belief and purpose. Print edition only
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6.0
53060
6.0 |
Consequence Of Sound
Fails to reach back far enough to the band’s less polished, indie blues-fueled Robbers & Cowards days, but at least integrates that sound with hints of the striving-for-stadiums pop-rock Mine Is Yours offered up
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6.0
53134
6.0 |
No Ripcord
A strange hodge-podge of stylistic attempts with varying degrees of success
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6.0
53145
6.0 |
The Line Of Best Fit
An album that washes over, vying for attention, but never quite succeeds in grabbing it, and never quite living up to what Cold War Kids could be
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6.0
53166
6.0 |
Art Rocker
Have CWK ever really stepped away from what we know and love them for?
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5.0
53161
5.0 |
God Is In The TV
Don’t write them off just yet, but approach Dear Miss Lonely Hearts with a degree of caution and an open mind
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5.0
52849
5.0 |
DIY
As a whole, it feels slightly temporary and detached, largely thanks to its uneven pacing and experimental streak
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4.0
52803
4.0 |
The Arts Desk
The downside - around two thirds of the album, unfortunately - is that it appears to be aimed squarely at stadium audiences
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4.0
52796
4.0 |
State
For a band that thrives on hooks, there’s a curious lack throughout
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