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8.0
57454
8.0 |
All Music
Tides End is so smooth that some of its nuances may be lost at first, but before it slips away, it takes listeners on a deceptively breezy and surprisingly affecting journey through moments that can't last
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6.0
57451
6.0 |
The Irish Times
A well-rounded pop album lacking in pretension
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6.0
57452
6.0 |
The Fly
A hugely radio-friendly record that won’t dent your credibility. Not bad at all
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6.0
57508
6.0 |
NME
Musically it's akin to the recent Neon neon album, but Kilfoyle's musings on romance and class are all his own
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6.0
57639
6.0 |
Time Out
‘Tide’s End’ is easy on the ears, but be warned: it could send you off to sleep altogether
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5.9
57453
5.9 |
Pitchfork
There’s not much on Tides End worth the price of progress
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5.0
57636
5.0 |
Consequence Of Sound
A portion of Tides End listens like a dramatic over-correction into the electro-pop realm. However, by album’s end, Kilfoyle and Verbos find the intersection between vocal melancholy and production excess
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5.0
57459
5.0 |
musicOMH
There are some good moments, but they’re only good because they’re leaning extremely heavily on (ie. shamelessly borrowing from) New Order and Pulp. Save yourself the effort
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4.0
57500
4.0 |
Q
Ends up sounding like the band are at a party they were forced to go to. Print edition only
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4.0
57457
4.0 |
Loud And Quiet
Crammed full of enough silky synth pop waves and antiseptic drum beats to make even the most avid OMD fan feel just a little bit queasy
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