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FUNKED UP

2117¬Montreal's foremost exponenents of Prince-inspired dirty funk are back with their new album. Critics so far are impressed, Rave Magazine seeing the album as an affirmation of the band's unique style.¬False¬

Middle of the Trail

2101¬Rootsy folkster Ray Lamontagne continues his career as a Radio 2 botherer with his new album. Critics see it as competent but hardly revolutionary, scores coming it at around 6 or 7.¬False¬

Towering achievement?

2098¬There's a very rare 10/10 from The Skinny for the rapper, pianist and producer's album, released to accompany a feature film also written and produced by the maverick Canadian. Such enthusiasm is not shared by the BBC or music OMH, who regard it as interesting but only partially successful.¬True¬
Monoliths & Dimensions

Sunn O)))

Monoliths & Dimensions

Seventh album from the American drone metal merchants

Critics average rating

8.4

Label
Southern Lord
Release date
04/05/2009
  1. 10.0 |  Drowned In Sound

    For the internet-damaged and terminally short of attention to the myopically conservative, to those who choose music merely as a lifestyle accessory, this album will upset, confuse or bore. For anyone interested in music that works both as art and an intensely new exciting experience - this is easily the best album that has come out this year.
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  2. 10.0 |  The Guardian

    The most compelling – and important – avant garde record since Love's Secret Domain by Coil
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  3. 9.0 |  No Ripcord

    Even in spite of their addition of thickening and texturing agents to the mix, Monoliths & Dimensions is for a select crowd. The only difference now is that Sunn O))) can begin to appeal to the more generalized music fan, and not just their loyal following of metalfeeders content to wallow in the muck
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  4. 9.0 |  Tiny Mix Tapes

    As a whole, Monoliths ends up standing tall not only as a watershed moment in metal, but also as a 21st-century artistic statement in general
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  5. 8.5 |  Pitchfork

    There's enough musical range and temperance to usher even the most resolute naysayer into this intricate wonderland
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  6. 8.0 |  The Quietus

    All the sturm-und-drang one could wish from a metal record, yet genuinely takes the blissful noise of heavy amplification into thrilling uncharted territory.
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  7. 8.0 |  Pop Matters

    The band’s most ambitious project to date, but typically, the many guest contributions are so subtly performed and arranged, not to mention entirely in keeping with O’Malley’s and Anderson’s collective vision, that we hardly notice
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  8. 8.0 |  Mojo

    Print edition only

  9. 8.0 |  Uncut

    Print edition only

  10. 8.0 |  The Observer

    ...the ambient experiments and geological time signatures... took Sunn 0))) even further out of a genre synonymous with patched denim and into the realm of art
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  11. 7.0 |  Spin

    Stephen O'Malley and Greg Anderson expand their ambitions and make some startling jazz-ensemble noises
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  12. 7.0 |  Under The Radar

    Each of the four tracks begins with trademark slabs of sludge, but by the end of the closer, "Alice," this is way more Arvo Pärt or Steve Reich than it is doom or drone metal
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Back On Top?

2114¬The Manic Street Preachers have had something of a critical rebirth with their last two albums, and that trend looks set to continue with their latest offering. The Line of Best Fit call it a "wonderful album", while The Fly reckon they "are in the form of their life". With only a few reviews in so far, it seems we could have a contender for the higher echelons of our chart.¬True¬

Pain and pleasure

2105¬Can the third of the three Mancunian electro-ish bands which featured in the BBC's Sound of 2010 list emulate the success of their counterparts, Delphic and Everything Everything? The jury's still out so far. NME is a big fan of the duo's 80s-inspired synthpop anthems, but The Guardian is far from convinced, and others find the album stylish but unremarkable. ¬True¬

Dream team?

2070¬You would imagine that one revered master of popular music working with the material of another revered master of popular music would result in something quite special. However that doesn't appear to be the case, according to many critics. Some find the album partially successful, others are seriously underwhelmed, such as The Guardian, which describes it as "horrible". ¬True¬

Mixed reactions

2106¬Very mixed views around on the fourth album from New York's prime purveyors of post-punk gloom, now back at their old label, Matador. Most critics accept they've moved on from the danceable rhythms and singalong hooks that leavened their earlier work. The reaction to what remains is very varied: some, such as Uncut, regard it is refined and elegant; others such as Spin regard the new material as dull rather than hypnotic. ¬True¬