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			8.5
			76142
			
				8.5 |  
				The Line Of Best Fit
			
				This is a satisfyingly substantial listen. Houghton has managed to marry her way with a melody and an arresting image with a splash of ire and a dollop of heartbreak
				
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			8.0
			76143
			
				8.0 |  
				Drowned In Sound
			
				A confident and brilliantly delivered collection of songs
				
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			8.0
			76145
			
				8.0 |  
				Uncut
			
				Sees her moving away from the playful whimsy of her debut in favour of looser, gritter textures. Print edition only
				
 
 
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			8.0
			76138
			
				8.0 |  
				The Skinny
			
				A triumph on nearly every level
				
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			8.0
			76139
			
				8.0 |  
				The Digital Fix
			
				She fashions a patchwork of ballsy blues, arch art-pop and lighters-aloft balladry but her performance, by turns bolshy and unexpectedly vulnerable, provides a through-line whenever there's a sudden swing in sound
				
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			8.0
			76140
			
				8.0 |  
				NME
			
				Houghton's found fertile ground in connecting with her inner rage monster, but there's a different side to the album too: anthemic glam rock reminiscent of Bowie's work with guitarist Mick Ronson
				
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			8.0
			76141
			
				8.0 |  
				God Is In The TV
			
				I have no idea what ‘Welcome Back To Milk’ means, but the 25-year-old’s return should be embraced with open arms on this evidence
				
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			8.0
			76323
			
				8.0 |  
				State 
			
				A record born from a desire to change what was wrong. There can be no better message right now
				
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			8.0
			76326
			
				8.0 |  
				The 405
			
				This is music full of heart and imagination and it is well worth investigating, even though some long standing fans of hers may be puzzled at first
				
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			7.4
			76317
			
				7.4 |  
				Pitchfork
			
				This all serves a winning mission statement: Radically reinterpret your past, and your present will look after itself
				
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			7.0
			76264
			
				7.0 |  
				All Music
			
				While something suggests Houghton isn't done surprising her listeners, Welcome Back to Milk is so intriguing that they'll be impatient to hear whatever she has to offer
				
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			7.0
			76472
			
				7.0 |  
				Loud And Quiet
			
				Houghton wanted a new musical identity and in Du Blonde she’s swapped alt-pop whimsy for Karen O-ish gnarl
				
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			6.7
			76146
			
				6.7 |  
				Consequence Of Sound
			
				Welcome Back to Milk gives Du Blonde’s blisteringly creative mind space to experiment, and her edits show immaculate choices
				
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			6.5
			76243
			
				6.5 |  
				Under The Radar
			
				Du Blonde's album is more streamlined and traditional, as opposed to the psych-folk and gnarly baroque that came before
				
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			6.0
			76144
			
				6.0 |  
				Q
			
				A concise soundtrack of garage racket, gospel-informed blues, glam balladry and piano confessionals. Print edition only
				
 
 
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			6.0
			76363
			
				6.0 |  
				The Guardian
			
				The music is inventive and odd
				
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