Albums to watch

Future Ruins

Swervedriver

Future Ruins

Album number six, and second since their reunion, from the Oxford-based shoegaze stalwarts

ADM rating[?]

6.9

Label
Rock Action Records
UK Release date
25/01/2019
US Release date
25/01/2019
  1. 8.0 |   PopMatters

    Whether or not Future Ruins is the record that finally breaks Swervedriver through to the masses, it shows the band are still making their own breakthroughs
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  2. 8.0 |   Mojo

    Future Ruins achieves everything an admirer could ask of the reunited band's new album. Print edition only

  3. 8.0 |   Under The Radar

    Not only is Future Ruins a welcome addition to the Swervedriver canon. It also fully confirms their reunion was anything but a nostalgia trip
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  4. 8.0 |   DIY

    Shows that the band still have something to say and prove
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  5. 8.0 |   The Skinny

    Bold and ambitious, Swervedriver's sixth studio album Future Ruins is deliriously difficult to place, and all the more exciting for it
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  6. 8.0 |   All Music

    Where I Wasn't Born to Lose You was electric with the excitement of Swervedriver's rebirth, Future Ruins is the sound of a band that's happy to be back and ready to get down to the business of pushing their sound forward
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  7. 8.0 |   Slant Magazine

    Thrives in the spaces between the power chords and choruses
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  8. 7.0 |   Uncut

    The spacious, Neil Young-ian rumbling of the title track and the bulked-up power-pop of "Spiked Flower" both see co-founders Adam Franklin and Jimmy Hartridge venture beyond the template of Raise and Mezcal Head without making the faithful worry they've ditched their distortion pedals. Print edition only

  9. 7.0 |   Punk News

    All in all, Swervedriver delivers the goods but with this record, it's safe to say it could have come years ago
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  10. 6.5 |   The 405

    Swervedriver are clearly pissed off with how things are, a theme which drips from every fibre of this body of work
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  11. 6.0 |   Drowned In Sound

    The major nagging feeling over Future Ruins is, despite all its positives, is why this exists as a new album in 2019 when it just as easily could have come out a quarter of a century ago
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  12. 5.0 |   Spectrum Culture

    An album that will bore before it has the intended impact
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  13. 4.0 |   God Is In The TV

    Despite a strong start it’s mostly a chore to listen to, and sounds like it was a chore to make
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