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Moor Mother
The Great Bailout
A grand, artistic and political statement in an age when such vision is too rarely attempted. Print edition only
Mojo
Moor Mother
The Great Bailout
A hauntingly edifying experience born out of intergenerational trauma, political rage and suffering
The Quietus
Moor Mother
The Great Bailout
Ayewa embraces an austere aesthetic while carrying a bright activistic torch. She casts searing light on the unreconciled, and perhaps unreconcilable, hypocrisies that continue to plague the Western world
Beats Per Minute
Bleachers
Bleachers
A disengaged vibe, unnecessary sax solos and a heavy leaning on influences weight this album down
The Irish Times
Bleachers
Bleachers
Moody shades of The National and Tunnel Of Love-era Springsteen abound, though the whole thing never quite manages to fully convince. Print edition only
Uncut
Bleachers
Bleachers
Bleachers’ self-titled fourth album embraces their signature goofiness in muted vibrance
The Line Of Best Fit
Bleachers
Bleachers
Antonoff’s many influences fight against one another on this interesting but ultimately confused project
The Independent
Bleachers
Bleachers
On his fourth record and first album under a new label, the divisive musician maintains his brand as a maker of big, broad pop-rock anthems
Paste Magazine
Bleachers
Bleachers
On his fourth solo album, Jack Antonoff and his band keep writing their own version of the rock’n’roll myth. It’s clever, empathetic, and still a bit clunky
Pitchfork
Bleachers
Bleachers
Bleachers finds its primary strength in its serenity. Gentle moments of introspection about love’s redemptive power illuminate some of the brightest moments
PopMatters
Bleachers
Bleachers
The Hardest Working Man In Showbusiness Jack Antonoff has made an album full of lushly produced, saxophone-drenched pop-rock anthems
musicOMH
Bleachers
Bleachers
The fourth, self-titled Bleachers record doesn’t veer too far from their previous LPs
Rolling Stone
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